skrzat
16-09-2005, 08:56
http://www.editorsguild.com/newsletter/JulAug05/julaug05_bride.html
Ciekawsze fragmenty:
"With these issues in mind, Watts set about getting his hands on every digital camera he could find. Canon UK loaned a 10D, a 1D, a 1D Mark 2, and a 1DS. Nikon loaned a D1x, a D100, and one of the new D2H cameras. Watts also tested cameras from Sigma and Kodak."
“We shot the same scene on every camera, converted the digital frames using dcRAW [an open-source program that accesses raw digital images], crunched everything to 2K, color-timed the sequences to match using Baselight and then output to film,” says Watts. “Basically, everything looked great until the film-originated version came up, then everyone yelled at the projectionist, ‘Focus!’” The images from digital cameras looked so stunning when projected. The tests convinced Burton, Johnson, Abbate and executives at Warners.
“We originally selected the Nikon D2H because of the wireless ftp, the chip size, and the fact that we owned $90,000 of Nikon glass [lenses],” notes Watts. However, random noise was visible as pixilation in dark areas when the shots were played back as a movie. This pixilation effect was only visible in stop-motion photography, an application the Nikon hadn’t been designed for."
"The Canon EOS-1D Mark II, which uses a CMOS sensor and DIGIC II processor chip, was one of the most expensive still cameras tested, but the image quality was amazing, according to Watts. A way had to be found to mount Nikon lenses on the Canon EOS body. With the NEOS adapter, focus and aperture must be set manually, but that’s fine for stop-motion photography."
"The production bought 24 of the Canons...."
Ciekawsze fragmenty:
"With these issues in mind, Watts set about getting his hands on every digital camera he could find. Canon UK loaned a 10D, a 1D, a 1D Mark 2, and a 1DS. Nikon loaned a D1x, a D100, and one of the new D2H cameras. Watts also tested cameras from Sigma and Kodak."
“We shot the same scene on every camera, converted the digital frames using dcRAW [an open-source program that accesses raw digital images], crunched everything to 2K, color-timed the sequences to match using Baselight and then output to film,” says Watts. “Basically, everything looked great until the film-originated version came up, then everyone yelled at the projectionist, ‘Focus!’” The images from digital cameras looked so stunning when projected. The tests convinced Burton, Johnson, Abbate and executives at Warners.
“We originally selected the Nikon D2H because of the wireless ftp, the chip size, and the fact that we owned $90,000 of Nikon glass [lenses],” notes Watts. However, random noise was visible as pixilation in dark areas when the shots were played back as a movie. This pixilation effect was only visible in stop-motion photography, an application the Nikon hadn’t been designed for."
"The Canon EOS-1D Mark II, which uses a CMOS sensor and DIGIC II processor chip, was one of the most expensive still cameras tested, but the image quality was amazing, according to Watts. A way had to be found to mount Nikon lenses on the Canon EOS body. With the NEOS adapter, focus and aperture must be set manually, but that’s fine for stop-motion photography."
"The production bought 24 of the Canons...."